BTS's V has topped the U.S. "TIDAL Top Video"
BTS's V has topped the U.S. "TIDAL Top Video" chart with his music video for Winter Ahead, showcasing his immense popularity.
On December 3, V’s new track Winter Ahead debuted at No. 1 on the TIDAL’s Video Hits playlist in the United States, one of the three largest global music streaming platforms. Upon release, the music video also claimed the No. 1 spot on YouTube's Music Video Trending Worldwide, garnering significant attention. Despite its 6-minute and 22-second runtime, the video captivates viewers with its compelling storytelling and V's nuanced acting. His impeccable visuals, paired with stunning cinematography, create a stylish and visually immersive experience.
On TIDAL's U.S. Top Video chart, V dominated the Top 10, with Winter Ahead at No. 1, followed by Friends, Winter Ahead (Cinematic), Slow Dancing, and For Us occupying positions 2 through 5. Additionally, Blue, Slow Dancing (FRNK Remix), Rainy Days, and Love Me Again secured spots from 7th to 10th place, giving him an unprecedented nine entries in the Top 10. This achievement marks a new record for the most simultaneous entries by a K-pop artist on the chart, as well as the highest number of Top 10 placements.
The release of Winter Ahead has also reignited interest in V's previous solo music videos. Notably, V became the first K-pop artist to top TIDAL's Top Video chart with his video for Friends.
Domestically, the Winter Ahead music video premiered on November 29 at Shinsegae Square, drawing widespread attention. When the teaser was released on November 25, the number of visitors to Shinsegae Square increased by 15.5% compared to the previous year, solidifying the location as a new hub for K-culture.
On December 3, V shared an Instagram video capturing fans watching his music video under snowfall on November 29, fulfilling his wish for a picturesque premiere. The post garnered 15 million views within just 12 hours, further demonstrating V's extraordinary global influence.
Written by Mun Wan
Translated by Lee So Yun
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